Midas XL3

SYSTEM TOTAL HARMONIC DISTORTION
Microphone @ -60dB Input, 60dB Output <0.03%
Line @ -30dB Input, 0dB Output <0.03%

CROSSTALK
Channel to Channel @ 1KHz >100dB
Group to Group @ 1 KHz >90dB
Channel muting @ 1KHz >100dB
Maximum fader attentuation @ 1 KHz >70dB

NOISE
(measured 22Hz - 22KHz bandwidth unweighted)
Mic. Input @ max gain ref. 150 Ohms -128.5dB
Line Input @ 10dB gain ref 50 Ohms -100dB

SYSTEM NOISE
All faders at minimum postion <-98dB
1 input and 1 master fader @ 0dB <-92dB
12 inputs and 1 master fader @ 0dB <-88dB
24 inputs and 1 master fader @ 0dB <-84dB

FREQUENCY RESPONSE
Mic or Line input to any output (20Hz-20KHz) +0,-1dB

INPUT AND OUTPUT LEVELS
Microphone (variable) (nominal)  -60 to -15dB
maximum Pad off +5dB
maximum Pad on +25dB
Line (variable)  -10 to +21dB
All Outputs (nominal) 0dBu
All Outputs (maximum) +21dBu
Headphones (nominal) +10dBu
Headphones (maximum) +21dBu

INPUT AND OUTPUT IMPEDANCES
Microphone >3 Kohms
Line Inputs  >10 Kohms
Insert Sends >60 Ohms
Insert Returns  >10 Kohms
All Outputs   >60 Ohms
Headphones (minimum) 4 Ohms

EQUALISER
Treble (shelving variable 2-20KHz) +/-15dB High Mid (peaking variable 400Hz-8KHz) (bandwidth variable 0.1 - 2 octaves)  +/-15dB
LowMid (peaking variable 100Hz-2KHz)
(bandwidth variable 0.1 - 2 octaves)  +/-15dB
Bass (shelving variable 20-200Hz) +/-15dB
Lo-Cut (variable 20Hz-400Hz)   12dB/octave