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Specificaties
Verhuurderinformatie

Physical Specifications

Dimensions (W x H x D mm): 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without feet), 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with feet)
Weight: 5.45kg / 12.0lb
Rack height: Optional 3rd party
Mount points: 1/4-20 screw; 4 x top, 4 x bottom, 2 x side , 3/8-16 screw; 2 x top, 2 x bottom, 1 x side
VESA mount: 100 x 100mm

Environmental

Ambient operating temperature: Up to 40° C

Construction and Control

Body: Aluminium alloy chassis with ABS Polycarbonate back plate
Cooling: Actively controlled fan and Heat Sink
Tally light: Rear and front
Multi-function button: Power / lock Screen

Power

Input voltage: DC 12-16.8v, Battery 14.4V nominal
Operating power: 75W
Compatible batteries: V-Lock / Anton Bauer via XLR terminal, (optional mounting plates available) , 95Wh or larger recommended.
Battery Run time (Record): Battery dependent
Continuous power: Dual Battery input via dedicated 4 pin XLR
DC in connector: 4 pin XLR

Display

Touchscreen: SuperAtom IPS panel (capacitive touch)
Size: 19 inch
Resolution: 1920 x 1200
PPI: 120
Bit depth: 10Bit (8+2 FRC)
Backlight Type: Edge lit
Brightness (cdm2 / nits): 1200nit (+/- 10% @ center)
Aspect ratio: 16:9
De-interlace mode: Yes, Graphic burning protection
Color Gamut: Rec.709
Calibration support: Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)

Color Pipeline

Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut: BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display: .Cube Format
3D LUT Down Stream: Loop out
3DLUT 50/50: Yes
Monitoring Modes: Native / HLG / PQ / 3D LUT
HDR output Conversion: Log / HDR to HLG / PQ

Video Input

HDMI: 1x HDMI (2.0) 4k p60
SDI: Quad link 3G SDI, with 2 x 6G SDI backwards compatible, auto detection
SDI RAW: Apple ProRes RAW up to 6k
Bit Depth: 8/10Bit Video / RAW up to 12Bit
Video Chroma Subsampling: 4:2:2
HDCP copy protection: Not supported

Metadata

HDMI: RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDI: File Name from Arri, RED

Video Output

HDMI: 1 x HDMI (2.0) 4k p60
SDI loop out: 1 x 12G SDI Backwards compatible Autodetection level A and B selectable
SDI Play out: 1 x 12G SDI Backwards compatible Autodetection level A and B selectable
Video Chroma Subsampling: 4:2:2
Bit Depth: 10Bit Video / 12Bit RAW

Web Streaming

USB UVC: Optional via Connect 4k

Video Signal Conversion

HDMI to SDI: Yes - Video and RAW
SDI to HDMI: Yes - Video and RAW

Audio In/Out

Audio Quality: 24/48kHz
Audio Codec: PCM
HDMI: 8ch 24Bit, input dependent
SDI: 12ch 24Bit, input dependent
Analogue Audio in: 2 x XLR
Analogue Audio Out: 2 x XLR
Speakers: 2 x 5w
Headphone out: 3.5mm 2ch.

Timecode / Sync

Embedded: HDMI and SDI
Time of day: Yes, Time and Date
LTC: LTC via BNC input in Record mode
Genlock: GenLock in Playback mode

Resolution and Frame Rates (Record, Monitor & Playback)

6k: RAW Only up to 30p via SDI Only
4k DCI: 23.98/24/25/29.9/30/50/59.94/60p
4k UHD: 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080: 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p
FHD 1920 x 1080 Progressive: 23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF: Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced: 23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p: 50/59.94/60p

Recording CODEC

CDNG: For SDI RAW inputs Only
Apple ProRes RAW: ProRes RAW, HQ
Apple ProRes: LT, 422, 422HQ
Avid DNxHD: 220x,220,145,36
Avid DNxHR: LB, SQ, HQ, HQX

Playback

Playlist: Yes, Create customer play lists from full or sub clips
Loop: Yes, with user customisable in / out markers
Apple ProRes Raw: Yes, recorded clips
Apple ProRes: Yes, with Linear PCM audio
Avid DNx: Yes, with Linear PCM audio

Recording functions

Pre-roll record: Yes (HD 8s, 4K 2s) - Not available in RAW
ISO Record: Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
Switched Program Record: Yes Up to 1080p 60

Multi Input / Switching

SDI A/B toggle: Yes, Up support up to 12G SDI per input
Dual Input display: Via Multi ISO input mode
Multiple SDI input: Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Input transitions: Auto or manual XML transition

Supported media

Master Caddy I: Not compatible
SSDmini: Yes BUT ONLY with optional SSDmini handle
File Naming: Unit Name - Scene/Shot/Take, Arri & RED via SDI
File System: ExFAT

On screen tools

Waveform: Yes, 3 size / Position
RGB parade: Yes, 3 size / Position
Vector scope: Yes, 2 size / Position
1 x Zoom: Yes. 1:1 Pixel mapping for 4k
2 x Zoom: Yes
Focus peaking: Colour selected / threshold setting / colour/ Mono / edges only
False colour: Yes, with Scale
Zebra: Yes, Adjustable
Isolate color channel: Blue Only
Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Safe areas: Action and Graphic
Anamorphic desqueeze: 1.25x, 1.33x, 1.5x ,1.8x, 2x
Display Flip: Vertical Only

Onboard Signal Processing

Pulldown Removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
4K UHD Downscale for HD: Loop out - 4K UHD to FHD
DCI Crop: Loop out - 17:9 to 16:9 Crop

Remote control

HDMI: Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard
SDI: SDI trigger camera selectable
Serial 2.5mm Jack: LANC control and calibration viaoptional USB to serial cable

External Device Control

Supported Applications

XML: Cut tag EDL and Multicam with transitions in FCP XML
Apple ProRes RAW: Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
Video Codecs: All applications with support for Apple ProRes and Avid DNX in .MOV wrapper

Locatie	Nieuw Vennep
Verhuurder	VRF B.V.
Afstand
Aantal beschikbaar	2 stuk(s)
Prijs p/d	€ 110,00
	In winkelwagen

Atomos Sumo 19

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