IT Geluid Communicatie Kabels Licht Sets Rigging Special FX Video Conference Diversen Decor & Stage

Midas XL4

  • Input Impedance
    • Mic: 2K Balanced
    • Line: 20K Balanced
  • Input Gain ( all faders at 0dB )
    • Mic: Continuously variable from + 15dB to + 70dB
    • Mic + Pad: Continuously variable from - 5dB to + 50dB
    • Channel Line Input: Continuously variable from - 20dB to + 20dB
    • All other Line Inputs: 0dB
  • Maximum Input Level
    • Mic: + 6dBu
    • Mic + Pad: + 26dBu
    • Channel Line inputs: + 26dBu
    • All other Line Inputs: + 21dBu
  • CMR at 1KHz
    • Mic ( gain + 60dB ) >70dB
    • Mic + Pad ( gain + 40dB ) >50dB
    • Line > 60dB
  • Frequency Response ( 20 to 20KHz )
    • Mic to Mix ( gain + 60dB ): + 0dB to - 1dB
    • Line to Mix: 0dB to - 1dB
  • Noise ( 20 to 20KHz )
    • Mic EIN ref. 150 Ohms ( gain + 60dB ) - 129dBu
    • Line EIN ref. 150 Ohms ( gain + 10dB ) - 100dBu
  • System Noise ( 20 to 20KHz )
    • Summing Noise ( 12 channels routedwith faders down ): - 86dB
    • Line to Mix Noise ( 12 channels routed at 0dB, pan centre ): - 81dB
  • Summing Noise
    • ( 48 channels routed with faders down ): - 80dB
    • Line to Mix Noise ( 48 channels routed at 0dB, pan centre ): - 75dB
  • Distortion at 1KHz
    • Mic to Mix ( + 60dB gain, 0dBu output ) <0.03%
    • Line to Mix ( 0dBu ) < 0.03%
  • Crosstalk at 1 KHz
    • Channel to Channel: <- 100dB
    • Mix to Mix: < - 90dB
    • Channel to Mix: < - 90dB
    • Maximum Fader attenuation: > 90dB
  • Output Impedance
    • All Line Outputs: 50 Ohms Balanced Source to drive >600 Ohms
    • Headphones: To drive > 8 Ohms Unbalanced
    • Comms ( Bi - directional ): 600 Ohms Nominal Unbalanced
  • Maximum Output Level
    • All Line Outputs: + 21dBu
    • Headphones: + 21dBu ( 8W into 8 Ohms )
    • Comms ( Bi - directional ): 10dBu
  • Nominal Signal Level
    • Mic: - 70dBu to + 5dBu
    • Channel Line Inputs: - 20dBu to + 5dBu
    • All other Line Inputs and outputs: 0dBu
    • Headphones: + 10dBu
    • Comms: - 20dBu
    • Comms and Talk Mic: - 50dBu to - 20dBu (auto gain)
  • Headroom at all stages
    • Comms, Talk and Headphone: >10dB
    • All other signals: > 20dB Metering Type 20 led peak reading
    • Range: - 36dBu to + 21dBu
    • Colour Green: Up to + 9dBu Normal signal
    • Colour Yellow: + 12dBu to + 15dBu High signal
    • Colour Red: Over + 18dBu Signal Too High
    • Quantity: 77 ( Monitoring all main Inputs and outputs )
  • Equaliser
    • Low pass slope: 12dB / Oct.
    • Low pass frequency: Continuously variable -3dB point from 1K to 40K
    • Hi pass slope:12dB / Oct.
    • Hi pass frequency: Continuously variable 3dB point from 10Hz to 400Hz
    • Treble Gain: Continuously variable + 15 dB to - 15 dB Centre detent 0dB
    • Treble Shelving Freq: Continuously variable - 3dB point from 1K to 20K
    • Treble Bell Freq: Continuously variable centre from 1K to 20K
    • Treble Bell Bandwidth: Continuously variable 0.1 Oct. to 2 Oct. Centre detent 0.5 Oct.
    • Hi Mid Gain: Continuously variable + 15 dB to - 15 dB Centre detent 0dB
    • Hi Mid Freq: Continuously variable centre from 400Hz to 8K
    • Hi Mid Bandwidth: Continuously variable 0.1 Oct. to 2 Oct. Centre detent 0.5 Oct.
    • Lo Mid Gain: Continuously variable + 15 dB to - 15 dB Centre detent 0dB
    • Lo Mid Freq.: Continuously variable centre from 100Hz to 2K
    • Lo Mid Bandwidth: Continuously variable 0.1 Oct. to 2 Oct. Centre detent 0.5 Oct.
    • Bass Gain: Continuously variable + 15 dB to - 15 dB Centre detent 0dB
    • Bass Shelving Freq: Continuously variable 3dB point from 20Hz to 400Hz
    • Bass Bell Freq.: Continuously variable centre from 20Hz to 400Hz
    • Bass Bell Bandwidth: Continuously variable 0.1 Oct. to 2 Oct. Centre detent 0.5 Oct
  • Front panel
    • Width: 482mm/19”
    • Width: 427mm/16.81”
    • Depth: 460mm/18.11” (incl. handles)
    • Height: 135mm/5.31” (incl. feet)
    • Weight: 20kg/44.09lbs
  • Specs:
    • Input voltage range: 90-132 and 180 to 250vac
    • Input Range Selection: Automatic
    • Input Frequency: 47-63Hz
    • Input Rating (fully loaded): 1400W
    • Input Current: (fully loaded @110v) 13A
    • Input Current: (fully loaded @220v) 6.5A
    • Input Surge: 136A pk
  • Console dimensions
    • Depth: 1129.8mm/44.48”
  • Nett Weight: 229kg
  • The XL4 is a 45 buss console with an additional 18 X 8 output matrix. The busses are as follows:
    • 16 mono aux = 16
    • 16 audio sub groups = 16
    • 4 stereo aux = 8
    • 1 stereo master = 2
    • 1 stereo AFL = 2
    • 1 mono PFL = 1
    • TOTAL = 45
       
The XL4 has 8 automute sub groups, 10 input channel VCA sub groups which include VCA sub group muting and 2 grand master VCA sub groups with VCA sub group muting.

The XL4 has 48 input channels with separate line and mic inputs plus an additional 16 aux line returns.
  • The XL4 has a total XLR input count of 171 as follows:-
    • 48 channel line inputs
    • 48 channel mic inputs
    • 24 aux bus inject inputs
    • 16 audio group bus inject inputs
    • 16 aux line returns inputs
    • 8 matrix bus inject inputs
    • 3 solo bus inject inputs
    • 2 master bus inject inputs
    • 1 comms mic input ( headset )
    • 1 comms input ( and output )
    • 1 talk mic input
    • 1 talk bus inject input
    • 1 midi input
       
  • The XL4 has a total XLR output count of 111 as follows:-
    • 48 input channel direct outputs
    • 24 aux outputs
    • 16 audio group outputs
    • 8 matrix outputs
    • 4 record outputs
    • 3 master outputs
    • 3 solo outputs
    • 2 local outputs
    • 2 midi outputs
    • 1 talk output
       
  • The XL4 has a total bantam jack field count of 158 as follows:-
    • 56 input channel insert sends
    • ( 8 spare for stereo module up grades )
    • 56 input channel insert returns
    • ( 8 spare for stereo module up grades )
    • 16 audio group insert sends
    • 16 audio group insert returns
    • 8 matrix insert sends
    • 8 matrix returns
    • 8 parallel links ( 2 sets of 4 )
    • 3 master insert sends
    • 3 master insert returns
       
  • The XL4 has 12 motorised moving faders for the VCA masters.
     
  • The XL4 has a total of 2539 automated switch functions as follows:-
    • 960 input channel aux send on off switches
    • 480 input channel VCA sub group assign switches
    • 384 input channel audio sub group assign switches
    • 384 input channel mute sub group assign switches
    • 48 input channel EQ on off switches
    • 48 input channel stereo master on off switches
    • 48 input channel phase switches
    • 48 input channel insert on off switches
    • 48 input channel mic line switches
    • 48 input channel mute switches
    • 16 audio sub group mute switches
    • 16 aux line return mute switches
    • 8 matrix mute switches
    • 3 master mute switches

The XL4 has a total of 77 peak program meters with 20 LED segments each and monitoring 282 signal points within the console.

Please note: XL4s are wired to take stereo channels in positions 17-24 and 41-48 as standard
 
Verhuurder Afstand Prijs  
BFD Rental
Someren
€ 500,00
3 stuk(s)
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DEMO Productions BV
Ulestraten
€ 500,00
1 stuk(s)
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