Rent Around

Quantization range Frequency response Level linearity deviation 0dB to –90dB Phase difference between channels 20Hz to 20 kHz Channel separation 100Hz to 10kHz Total harmonic distortion 100Hz to 10kHz Maximum input level (at unity gain) mic and line Microphone equivalent input noise (150 ohm, 60dB gain) Maximum analogue gain (mic and line) Mic input impedance All other analogue inputs impedance’s	24-bits 20Hz-20kHz +/-0.2dB <0.3dB <2 degrees >90dB <0.004% +22dBU -127.5dB +60dB >1k ohms >5k ohms
Analogue Outputs
Quantization range Frequency response 20Hz-20kHz Level linearity deviation 0dB to –90dB Phase difference between channels 20Hz to 20 kHz Channel separation 100Hz to 10kHz Total harmonic distortion 100Hz to 10kHz Idle channel noise ratio Maximum output level Output impedance	24-bits +/-0.2dB <0.3dB <2 degrees >90dB <0.004% <112dB +22dBU 50 ohms
Digital I/O
AES/EBU (with sample rate converters) MADI OPTICAL	24bit 56 channels of 24 bit audio 512 channel redundant optical loop
Clocking
Clock sources Internal External	44.1 and 48kHz using a high stability numerically controlled oscillator From any digital, input Black burst 75ohm video, WordclockB Sample range 30kHz to 50kHz
Power requirements
Console Audio rack	87 to 260v AC 50/60Hz autosensing. 300 watts max 87 to 260v AC 50/60Hz autosensing. 150 watts max

Verhuurder	Afstand	Prijs

DiGiCo D1 Live